The film “You Can See Everything” has captured the attention of audiences without revealing too much about its plot. The documentary, delving into the story of Elizabeth Holmes, the founder of Theranos, and her conviction for fraud, drew crowds to theaters during its opening weekend, generating over $15 million in ticket sales. This marked the second-highest debut for a non-musical documentary in domestic box office history, following only the 2004 release of “Fahrenheit 9/11.”
Despite its limited release in just 855 theaters across Canada and the U.S., “You Can See Everything” received glowing reviews post its premiere. It held a remarkable 99% fresh rating on Rotten Tomatoes and an impressive 4.8 score on Letterboxd, making it the highest-rated movie on the platform to date. Audience reactions were equally enthusiastic, with comments praising the documentary’s captivating storytelling and immersive experience.
The documentary follows a film crew led by directors Nathan Fielder and Lance Oppenheim as they document the lives of Elizabeth Holmes, her partner Billy Evans, and their children in the days leading up to Holmes’s prison sentence. Viewers were engrossed in the intense narrative, with many expressing astonishment, applause, and laughter during screenings.
Nathan Fielder’s distinctive interviewing style, combined with Elizabeth Holmes’s unique communication approach, created a compelling dynamic in the documentary. The film’s uncomfortable yet riveting interviews and truth-seeking elements, reminiscent of Fielder’s past work on “Nathan for You,” left a lasting impact on viewers, prompting contemplation about perceptions of reality.
Distributed by A24, known for its collaboration with visionary filmmakers and recent successful releases like “The Invite” and “Tony,” “You Can See Everything” continues to garner attention for its thought-provoking content. The film’s ability to spark conversations and challenge conventional narratives has resonated with audiences, encouraging a return to theaters for engaging cinematic experiences.